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“Still in Motion #9”
Chromogenic Print 8×10”
Daniel Farmer’s photograph exists somewhere between film still and memory fragment. Shot on 2-perf 35mm motion film, then reloaded and double-exposed with a single subject, the image blurs the line between documentation and performance. Layers of color and reflection merge into a portrait that feels cinematic yet intimate — one person split across parallel moments, occupying multiple realities at once. The result is a study in movement and identity, where stillness itself becomes charged with motion.
“Still in Motion #9”
Chromogenic Print 8×10”
Daniel Farmer’s photograph exists somewhere between film still and memory fragment. Shot on 2-perf 35mm motion film, then reloaded and double-exposed with a single subject, the image blurs the line between documentation and performance. Layers of color and reflection merge into a portrait that feels cinematic yet intimate — one person split across parallel moments, occupying multiple realities at once. The result is a study in movement and identity, where stillness itself becomes charged with motion.